The Shortest Shadow, 2018, Atlanta Contemporary, Atlanta, installation view
Rope and Lead, 2018
Pressed wool, hand embroidery, pewter charms, steel
266,7 x 144,8 x 5,1 cm / 105 x 57 x 2 in
Rope and Lead (detail), 2018
Pressed wool, hand embroidery, pewter charms, steel
266,7 x 144,8 x 5,1 cm / 105 x 57 x 2 in
The Shortest Shadow, 2018, Atlanta Contemporary, Atlanta, installation view
28 Days, 6 Hours, 42 Minutes, 12 Seconds, 2018
Pressed wool, hand embroidery, pewter charms, steel
172,7 x 269,2 x 5,1 cm / 68 x 106 x 2 in
The Encounter, 2018
Charcoal and chalk on wall
Variable dimensions
Annihilation, 2018
Pressed wool, hand embroidery, pewter charms
69 x 167 cm / 27.2 x 65.8 in
Annihilation (detail), 2018
Pressed wool, hand embroidery, pewter charms
69 x 167 cm / 27.2 x 65.8 in
Made in LA, 2016, Hammer Museum, Los Angeles, installation view
Made in LA, 2016, Hammer Museum, Los Angeles, installation view
Pay Up, 2016
Waterjet cut silicone, semi-transparent paper, glass, lights
274,3 x 121,9 x 14,6 cm / 108 x 48 in
The Lusting Breed, 2017, Bodega, New York, installation view
Sleeping Spinner, 2017
Pressed wool, natural dyes, steel
160 x 200 x 15,2 cm / 63 x 79 x 6 in
The Lusting Breed, 2017, Bodega, New York, installation view
The Assistant, 2017
Pressed wool, natural dyes, steel
134,6 x 185,4 x 15,2 cm / 53 x 73 x 6 in
Winter’s Guest, 2016
Digital C-Print mounted on aluminum
40,6 x 50,8 cm / 16 x 20 in
Behold the Tears as Such that Were Oppressed They Had No Comforter, 2016
Industrial rubber
cm 114,3 x 116,8 cm / 45 x 46 in
In Escrow, 2016, High Art, Paris, installation view
Remove the Inside and the Soul Remains, 2016
Industrial grade rubber
100 x 90 cm / 39.4 x 35.4 in
In Escrow, 2016, High Art, Paris, installation view
In Escrow #6, 2016
Framed photograph
51,8 x 36,8 cm / 20.4 x 14.5 in
Remove the Outside and the Inside Remains, 2016
Industrial grade rubber
100 x 90 cm / 39.4 x 35.4 in
PITI, 2016
Charcoal and chalk on wall
Variable dimensions
Solo presentation, Artissima Present Future, 2015, Turin, installation view
Solo presentation, Artissima Present Future, 2015, Turin, installation view
Human Applause, 2015-2018
Aluminum, steel, fur
61 x 91,4 cm / 24 x 36 in
Heat Island, 2014, Gasconade, Milan, installation view
Heat Island, 2014, Gasconade, Milan, installation view
On Self Reliance, 2014
Digital print on aluminum
70 × 50 cm / 27.5 x 19.6 in
Distaff, 2014, Eli Ping Frances Perkins, New York, installation view
Untitled, 2014
Hand-woven wool rug, hand dyed with natural dyes; metal grommets, wood and metal harness parts, reins
Variable dimensions
Distaff, 2014, Eli Ping Frances Perkins, New York, installation view
Untitled, 2014
Hand-woven wool rug, hand dyed with natural dyes; metal grommets, harness parts and rusted metal armature
Variable dimensions
Distaff, 2014, Eli Ping Frances Perkins, New York, installation view
Untitled, 2014
C-print mounted on aluminum
35,5 x 53,3 cm / 14 x 21 in
Untitled, 2014
C-print mounted on aluminum
53,3 x 35,5 cm / 21 x 14 in
You and You're People, 2014, BFA Boatas, Sao Paolo, installation view
Loneliness Tears Cracks of Madness Even in Walls, 2014
Digital print on aluminum, lasercut aluminum
100 x 50 cm / 39.4 x 19.6 in
The Serpent in the Soul of the Serpent, 2014
Digital print on aluminum, lasercut aluminum
70 x 50 cm / 27.4 x 19.6 in
You and You're People, 2014, BFA Boatas, Sao Paolo, installation view
The Punishment Begins, 2014
Digital print on aluminum, lasercut aluminum
70 x 50 cm / 27.4 x 19.6 in
A Hammer Blow to the Head Can Injure the Soul, 2014
Digital print on aluminum, lasercut aluminum
70 x 50 cm / 27.4 x 19.6 in
Gaggle, 2014
Giclee print on Hahnemühle
40,6 x 50,8 cm / 16 x 20 in
Untitled, 2014
Framed digital print
30 × 50 cm / 11 x 19.6 in
Esprit, 2011, Tomorrow Gallery, Toronto, installation view
Esprit, 2011, Tomorrow Gallery, Toronto, installation view