VALERIE KEANE / HIGH ART

Existence Machine, 2020, Lomex, New York, USA, installation view

Existence Machine (Form Grows Rampant), 2019
Acrylic, stainless steel
160 x 58,4 cm / 63 x 22 7/8 in

Existence Machine (Form Grows Rampant), 2019 (detail)
Acrylic, stainless steel
160 x 58,4 cm / 63 x 22 7/8 in

Existence Machine (Desire Pact), 2019
Acrylic, stainless steel
160 x 58,4 cm / 63 x 22 7/8 in

Solo presentation, 2019, Art Basel Hong Kong, China, installation view

Nightswimmer, 2019
Acrylic, stainless steel
135 x 44 x 7 cm / 53 1/8 x 17 3/8 x 2 3/4 in

The Spire, 2019
Acrylic, stainless steel
182 x 61 x 7 cm / 71 5/8 x 24 1/8 x 2 3/4 in

The Spire, 2019 (detail)
Acrylic, stainless steel
182 x 61 x 7 cm / 71 5/8 x 24 1/8 x 2 3/4 in

The desire to be everything, 2018, Dallas Contemporary, Dallas, USA, installation view

Enter the Mirror (Fume of Eternity), 2018
Acrylic, stainless steel
228,6 x 13,2 x 1 cm / 90 x 5 1/4 x 3/8 in

Enter the Mirror (Fume of Eternity), 2018 (detail)
Acrylic, stainless steel
228,6 x 13,2 x 1 cm / 90 x 5 1/4 x 3/8 in

The desire to be everything, 2018, Dallas Contemporary, Dallas, USA, installation view

Prosthetic God, 2018
Acrylic, stainless steel
185,4 x 53,3 x 6,3 cm / 73 x 21 x 2 1/2 in

Prosthetic God, 2018 (detail)
Acrylic, stainless steel
185,4 x 53,3 x 6,3 cm / 73 x 21 x 2 1/2 in

The desire to be everything, 2018, Dallas Contemporary, Dallas, USA, installation view

The Night Preserved in Disorder, 2018 (detail)
Acrylic, stainless steel
Variable dimensions

The Shrine of Venus (with Bailey Scieszka), 2017, What Pipeline, Detroit, USA, installation view

Pharaoh Chromium, 2017
Acrylic glass, stainless steel
38,1 x 144,8 x 5,7 cm / 15 x 57 1/8 x 2 3/8 in

Afterburner, The Enemy, & Skinsuit at the Castle, 2016, High Art, Paris, France, installation view

Skinsuit at the Castle, 2016 (detail)
Stainless steel, acrylic
180 x 65 x 7 cm / 70 7/8 x 25 5/8 x 2 3/4 in

Afterburner, 2016
Stainless steel, acrylic
173 x 35 x 6 cm / 68 1/8 x 13 3/4 x 2 3/8 in

Afterburner, 2016 (detail)
Stainless steel, acrylic
173 x 35 x 6 cm / 68 1/8 x 13 3/4 x 2 3/8 in

The Enemy (Long Armed Sun), 2016
Stainless steel, acrylic, rubber
180 x 40 x 6 cm / 70 7/8 x 15 3/4 x 2 3/8 in

Solo presentation, 2016, Frieze, New York, USA, installation view

Untitled, 2016
Acrylic, stainless steel, rubber, hardware, steel cable
208,5 x 132 x 5 cm / 82 1/4 x 52 x 2 in

Blind Rival, 2016
Acrylic, stainless steel, rubber, hardware, steel cable
208,5 x 132 x 5 cm / 82 1/4 x 52 x 2 in

UBU NOIR (with Oto Gillen), 2016, Lomex, New York, USA, installation view

Glass Alibi, 2016
Acrylic security mirror, stainless steel, rubber, hardware, steel cable
165 x 30,4 x 5 cm / 65 x 11 3/4 x 2 in

Glass Alibi, 2016 (detail)
Acrylic security mirror, stainless steel, rubber, hardware, steel cable
165 x 30,4 x 5 cm / 65 x 11 3/4 x 2 in

Ubu Noir II, 2016 (detail)
Acrylic, stainless steel, rubber, hardware, steel cable
134,5 x 28 x 5 cm / 53 1/8 x 11 1/8 x 2 in

UBU NOIR (with Oto Gillen), 2016, Lomex, New York, USA, installation view

Spectre of the Rose, 2016 (detail)
Acrylic, stainless steel, rubber, hardware, steel cable
218,5 x 28 x 7,5 cm / 86 1/4 x 11 1/8 x 3 1/8 in

UBU NOIR (with Oto Gillen), 2016, Lomex, New York, USA, installation view

Noir Dedans, 2016, Le Manoir, Martigny, Switzerland, installation view

Group Show, 2015, Greene Naftali, New York, USA, installation view

Electric Mistress, 2015 (detail)
Acrylic glass, stainless steel, neoprene, polyolefin, hardware
195,5 x 18 x 7,5 cm / 77 1/8 x 7 1/8 x 3 1/8 in

Night Collector, 2015
Acrylic, stainless steel, neoprene, polyolefin, hardware
193 x 38 x 7,5 cm / 76 x 15 x 3 1/8 in

Night Collector, 2015 (detail)
Acrylic, stainless steel, neoprene, polyolefin, hardware
193 x 38 x 7,5 cm / 76 x 15 x 3 1/8 in

Haute Surveillance, 2014, James Fuentes at Basilica, Hudson, USA, installation view

Untitled, 2014
Acrylic, chromed steel, cable ties
Variable Dimensions