Featuring all new works, the presentation will highlight the complex link between constructed identities and transhistorical narratives. Through their respective practices, the artists in the presentation navigate territories of identity as mutable geographies. But by retaining and acknowledging transhistorical narratives, the artists interpret networks of identity across both space and time, eluding generalized essentialisms and cultural reductions.

While Michael Ho’s work places his own inherited past, present and future at the heart of his production, often spotlighting anachronisms and social realities to construct objects of irreducibility, Willa Wasserman conjures and memorializes bodies and landscapes as a breathing library of shifting desire and selfhood.

High Art’s presentation will embrace manifold subjectivites, defined not through static group identification but through lived experience, attempting to account for an interconnectedness that is both living and irreducible.