Hammer Projects: Max Hooper Schneider, 2019, Hammer Museum, Los Angeles, installation view
Hammer Projects: Max Hooper Schneider, 2019, Hammer Museum, Los Angeles, installation view
Transfer Station (detail), 2019
Mixed media
Variable dimensions
Transfer Station (detail), 2019
Mixed media
Variable dimensions
Transfer Station (detail), 2019
Mixed media
Variable dimensions
Mommy & Me, 2018
Modified dollhouse, mixed media, miniature lighting system, custom metal base
256,5 x 96,5 x 81,2 cm / 101 x 38 x 32 in
Mommy & Me (detail), 2018
Modified dollhouse, mixed media, miniature lighting system, custom metal base
256,5 x 96,5 x 81,2 cm / 101 x 38 x 32 in
Mommy & Me (detail), 2018
Modified dollhouse, mixed media, miniature lighting system, custom metal base
256,5 x 96,5 x 81,2 cm / 101 x 38 x 32 in
Tryouts For The Human Race, 2018, Jenny's, Los Angeles, installation view
Tryouts For The Human Race, 2018, Jenny's, Los Angeles, installation view
Tryouts For The Human Race, 2018, Jenny's, Los Angeles, installation view
Utopia, 2018
Resin cast landscape, HO scale model train, custom metal base
223,5 x 104 x 76 cm / 88 x 41 x 30 in
Utopia (detail), 2018
Resin cast landscape, HO scale model train, custom metal base
223,5 x 104 x 76 cm / 88 x 41 x 30 in
Utopia (detail), 2018
Resin cast landscape, HO scale model train, custom metal base
223,5 x 104 x 76 cm / 88 x 41 x 30 in
Antemortem Sirenian, 2018
Mechanized fiberglass manatee (Trichechus manatus) skeleton, silicone blubber, cable, wire, air compressor, computer
183 x 114 x 183 cm / 72 x 44.8 x 72 in
Antemortem Sirenian (detail), 2018
Mechanized fiberglass manatee (Trichechus manatus) skeleton, silicone blubber, cable, wire, air compressor, computer
183 x 114 x 183 cm / 72 x 44.8 x 72 in
Mutations, 2017, High Line, New York, installation view
Section of Intertidal Landscape (Hair Metastasis) (detail), 2017
Custom built aquarium with wave machine, modeled landscape, colored hair, detritus, resin, automotive paint
200 x 300 x 80 cm / 78.7 x 118.1 x 31.5 in
Section of Intertidal Landscape (Hair Metastasis), 2017
Custom built aquarium with wave machine, modeled landscape, colored hair, detritus, resin, automotive paint
200 x 300 x 80 cm / 78.7 x 118.1 x 31.5 in
Section of Intertidal Landscape (Hair Metastasis) (detail), 2017
Custom built aquarium with wave machine, modeled landscape, colored hair, detritus, resin, automotive paint
200 x 300 x 80 cm / 78.7 x 118.1 x 31.5 in
ARoS Triennial: The Garden, 2017, Aarhus, Denmark, installation view
Refuse Refugium, 2017
Glass pyramidal aquarium, acrylic pyramid, detritus and found waste, lightbox, metal base and frame, mineral oil, water, dye, CO2 pump system
200 x 200 x 200 cm / 78.7 x 78.7 x 78.7 in
Refuse Refugium (detail), 2017
Glass pyramidal aquarium, acrylic pyramid, detritus and found waste, lightbox, metal base and frame, mineral oil, water, dye, CO2 pump system
200 x 200 x 200 cm / 78.7 x 78.7 x 78.7 in
Plasm(o)void 7, 2017
Borosilicate oviform, metallized glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Plasm(o)void 7 (detail), 2017
Borosilicate oviform, metallized glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Plasm(o)void 8 (Uranium Germ), 2017
Borosilicate oviform, metallized uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Plasm(o)void 8 (Uranium Germ) (detail), 2017
Borosilicate oviform, metallized uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Plasm(o)void 10, 2017
Borosilicate oviform, metallized uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Plasm(o)void 10 (detail), 2017
Borosilicate oviform, metallized uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can, custom electronics
116 x 49 x 49 cm / 45.6 x 19.2 x 19.2 in
Rhizosphere, 2017
Chain link fence, rebar, steel, iridescent automotive paint
121,9 x 172,2 x 152,4 cm / 47.6 x 67.7 x 59.8 in
Rhizosphere (detail), 2017
Chain link fence, rebar, steel, iridescent automotive paint
121,9 x 172,2 x 152,4 cm / 47.6 x 67.7 x 59.8 in
Steps to Aeration, 2017, Tanya Leighton, Berlin, installation view
Rhizosphere 4, 2017
Phosphorescent powder-coated steel chainlink, hardware
43,1 x 101,6 x 152,4 / 17 x 40 x 60 in
Solo presentation, 2016, Art Basel Miami Beach, installation view
Solo presentation, 2016, Art Basel Miami Beach, installation view
City of Yesterday and its Planning, 2016
Audio tapes, soil, water, seeds, LED lights, custom acrylic glass case, painted stainless steel
171 x 51 x 68 cm / 67.3 x 20 x 26.7 in
City of Yesterday and its Planning (detail), 2016
Audio tapes, soil, water, seeds, LED lights, custom acrylic glass case, painted stainless steel
171 x 51 x 68 cm / 67.3 x 20 x 26.7 in
Dielectrix I: Division Electrophorus, 2016
Live freshwater ecosystem, glass aquarium, steel base, sand, filter pump, aluminum panels and quarterage, electrodes, custom lighting interface, electrophorus electricus species
155 x 183 x 61 cm / 61 x 72 x 24 in
Dielectrix I: Division Electrophorus (detail), 2016
Live freshwater ecosystem, glass aquarium, steel base, sand, filter pump, aluminum panels and quarterage, electrodes, custom lighting interface, electrophorus electricus species
155 x 183 x 61 cm / 61 x 72 x 24 in
Pet Semiosis 11: LEPROSY (Hebrew), 2016
Rounded acrylic vitrine, porcupine quills, polymer resin, alligator claws, sand, quartz, plastic plants and succulents, petrified wood, assorted stones, neon sign
35,5 × 22,8 × 30,5 cm / 14 × 9 × 12 in
Pet Semiosis 11: LEPROSY (Hebrew) (detail), 2016
Rounded acrylic vitrine, porcupine quills, polymer resin, alligator claws, sand, quartz, plastic plants and succulents, petrified wood, assorted stones, neon sign
35,5 × 22,8 × 30,5 cm / 14 × 9 × 12 in
Pet Semiosis 7: INFLUENZA (Armenian), 2016
Acrylic tank, petrified sulfur, sugar crystals, flourescent plastic flora, candied pineapple, insulation foam, beachwood, palm stalk, phosphorescent resin, anonymous medallion, copper ore, iron pyrite, coprolites , glass neon sign
35,5 × 25,4 × 30,4 cm / 14 × 10 × 12 in
Pet Semiosis 7: INFLUENZA (Armenian) (detail), 2016
Acrylic tank, petrified sulfur, sugar crystals, flourescent plastic flora, candied pineapple, insulation foam, beachwood, palm stalk, phosphorescent resin, anonymous medallion, copper ore, iron pyrite, coprolites , glass neon sign
35,5 × 25,4 × 30,4 cm / 14 × 10 × 12 in
Pet Semiosis 8: FLEAS (English), 2016
Rounded acrylic vitrine, found arroyo objects and detritus, dried cephalopods, polymer resin, gravel, sand, quartz, photo- luminescent pigment, antiquated glass, plastic plants and succulents, plastic letters, wood, assorted stones, barbed wire, dried seed pods, elk antler pieces, vintage lighter, formed pewter, mammal blood, sliced geodes, concrete, neon sign
35,5 × 22,8 × 30,5 cm / 14 × 9 × 12 in
Pet Semiosis 8: FLEAS (English) (detail), 2016
Rounded acrylic vitrine, found arroyo objects and detritus, dried cephalopods, polymer resin, gravel, sand, quartz, photo- luminescent pigment, antiquated glass, plastic plants and succulents, plastic letters, wood, assorted stones, barbed wire, dried seed pods, elk antler pieces, vintage lighter, formed pewter, mammal blood, sliced geodes, concrete, neon sign
35,5 × 22,8 × 30,5 cm / 14 × 9 × 12 in
Pet Semiosis 10: SMALL POX (Korean), 2016
Rounded acrylic vitrine, sugar crystals, quartz, various forms of glass, plastic, resin, neon sign
35,5 × 22,8 × 30,5 cm / 14 × 9 × 12 in
Nature Theater of Violent Succession, 2015, High Art, Paris, installation view
The Plaguewielder, 2015
Custom fortune teller cabinet, animatronic flea model, aluminum sloping plinth, blacklights, crystal ball and rotating stand, custom fortune cards, plastic flora, dried organic flora, assorted crystals, animal and marine invertebrate matter, taxonomic specimens, assorted dried fungi, fish hooks, coprolites, dried mealworms, modeled acrylic windows, plastic screening
122 x 66 x 51 cm / 48 x 26 x 20 in
The Plaguewielder (detail), 2015
Custom fortune teller cabinet, animatronic flea model, aluminum sloping plinth, blacklights, crystal ball and rotating stand, custom fortune cards, plastic flora, dried organic flora, assorted crystals, animal and marine invertebrate matter, taxonomic specimens, assorted dried fungi, fish hooks, coprolites, dried mealworms, modeled acrylic windows, plastic screening
122 x 66 x 51 cm / 48 x 26 x 20 in
The Plaguewielder (detail), 2015
Custom fortune teller cabinet, animatronic flea model, aluminum sloping plinth, blacklights, crystal ball and rotating stand, custom fortune cards, plastic flora, dried organic flora, assorted crystals, animal and marine invertebrate matter, taxonomic specimens, assorted dried fungi, fish hooks, coprolites, dried mealworms, modeled acrylic windows, plastic screening
122 x 66 x 51 cm / 48 x 26 x 20 in
Nature Theater of Violent Succession, 2015, High Art, Paris, installation view
The Extinction of Neon 2, 2015
Acrylic terrarium, modeled landscape, used and broken neon signs, plastic flora, gallows structure, automotive detritus, steel chains, GTO wires, found objects, insect and animal matter, polymer resin, custom aluminum stand
167,6 × 106,7 × 61 cm / 66 × 42 × 22.4 in
The Extinction of Neon 2 (detail), 2015
Acrylic terrarium, modeled landscape, used and broken neon signs, plastic flora, gallows structure, automotive detritus, steel chains, GTO wires, found objects, insect and animal matter, polymer resin, custom aluminum stand
167,6 × 106,7 × 61 cm / 66 × 42 × 22.4 in
The Extinction of Neon 2 (detail), 2015
Acrylic terrarium, modeled landscape, used and broken neon signs, plastic flora, gallows structure, automotive detritus, steel chains, GTO wires, found objects, insect and animal matter, polymer resin, custom aluminum stand
167,6 × 106,7 × 61 cm / 66 × 42 × 22.4 in
The Extinction of Neon 2 (detail), 2015
Acrylic terrarium, modeled landscape, used and broken neon signs, plastic flora, gallows structure, automotive detritus, steel chains, GTO wires, found objects, insect and animal matter, polymer resin, custom aluminum stand
167,6 × 106,7 × 61 cm / 66 × 42 × 22.4 in
Nature Theater of Violent Succession, 2015, High Art, Paris, installation view
Cold War Dishwasher (Uranium Glass), 2015
Vintage refurbished Kenmore dishwasher, assorted uranium glass dishware, live freshwater ecosystem, sump tank, biological filter pump, crushed glass substrate, Danionin sp. fish, blacklight hood lamp
134 × 52 × 36 cm / 52.7 × 20.4 × 20.4 in
Cold War Dishwasher (Uranium Glass) (detail), 2015
Vintage refurbished Kenmore dishwasher, assorted uranium glass dishware, live freshwater ecosystem, sump tank, biological filter pump, crushed glass substrate, Danionin sp. fish, blacklight hood lamp
134 × 52 × 36 cm / 52.7 × 20.4 × 20.4 in
The Extinction of Neon, 2015
Custom acrylic vitrine, neon signs, modeled landscape, artificial plants and detritus, powder coated steel, aluminum, resin
167,6 x 106,7 x 61 cm / 66 x 42 x 24 in
The Extinction of Neon 1 (detail), 2015
Custom acrylic vitrine, neon signs, modeled landscape, artificial plants and detritus, powder coated steel, aluminum, resin
167,6 x 106,7 x 61 cm / 66 x 42 x 24 in
Reef Semiosis, Bikini Atoll (Japanese), 2015
Custom acrylic vitrine, coral reef replica, dried cephalopods, miscelaneous objects and detritus, neon sign and sand substrate
30,5 x 45,5 x 25,5 cm / 12 x 18 x 10 in
Reef Semiosis: Polyp (Cyrillic), 2015
Acrylic vitrine, chrome coral reef replica, synthetic hair, neon sign, crushed mirror substrate, mineral oil
30,5 x 45,5 x 25,5 cm / 12 x 18 x 10 in
Reef Semiosis: Polyp (Cyrillic) (detail), 2015
Acrylic vitrine, chrome coral reef replica, synthetic hair, neon sign, crushed mirror substrate, mineral oil
30,5 x 45,5 x 25,5 cm / 12 x 18 x 10 in
The Pound, 2014, Jenny’s, Los Angeles, installation view
Genus Watermeloncholia, 2014
Bioengineered square watermelon, glass cube aquarium, UV electrolyte bath, plastic ports, copper wire, battery operated digital sign
25 × 25 × 25 cm / 10 × 10 × 10 in
Aral Spring Trolley, 2014
Modified popcorn trolley, live freshwater ecosystem, acrylic aquarium, genus Pomacea snails, submersible filter
137 × 46 × 46 cm / 54 × 18 × 18 in
Aral Spring Trolley (detail), 2014
Modified popcorn trolley, live freshwater ecosystem, acrylic aquarium, genus Pomacea snails, submersible filter
137 × 46 × 46 cm / 54 × 18 × 18 in
Mythomane 1, 2014
Wall incision, custom powdercoated steel frame, acrylic glass, sound reactive led wires, hardware
167,6 × 45,7 × 60,9 cm / 66 × 18 × 24 in
The Conk, 2014
Concrete, steel, rock, resin, electronic motors
Variable dimensions
Infected Correction, 2012
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Pattern Prison, 2012
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Pattern Prison (detail), 2014
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Show No. 1, Federico Vavassori, Milan, 2013, installation view
Pomacea Snail System, 2013
Custom acrylic aquarium, freshwater ecosystem, drawing, white sand substrate, genus pomacea snail, filter
30 x 36 x 23 cm / 11.8 x 14 x 9 in
Drawer's Take on Painting, 2012
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Drawer's Take on Painting (detail), 2014
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Solo presentation, MiArt, Milan, 2013, installation view
Colony of Loss, 2012
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Colony of Loss (detail), 2012
Colored marker and pen on paper, acrylic, hardware
22,8 × 30,4 cm / 9 × 12 in
Deserted Desert (detail), 2012
Colored marker, pen and enamel on paper, acrylic artist's frame, hardware
28 x 35,5 cm / 11 x 14 in
Abyssal Brokerage (detail), 2012
Colored marker, pen and enamel on paper, acrylic artist's frame, hardware
28 x 35,5 cm / 11 x 14 in
Enchanter's Station (detail), 2012
Colored marker, pen and enamel on paper, acrylic artist's frame, hardware
22,8 × 30,4 cm / 9 × 12 in
2nd Mongolia Land Art Biennial, 2014, Orkhon Valley, Mongolia, installation view