b. 1984, Kiev, Ukraine
Lives and works in New York, USA


brain damage, Bridget Donahue, New York, USA
None of the beauty of the landscape can reach her pupils anymore, High Art, Paris, France
On the Brink of my Sexy Apocalypse, Hannah Hoffman, Los Angeles, USA
Motherland, Galerie Fons Welters, Amsterdam, Netherlands
Early Man, Swiss Institute, New York, USA
Blasted Health, Capri, Dusseldorf, Germany
One Reenters the Garden by Becoming A Vegetable, Kunstverein, Nürnberg, Germany
Cannibals, Croy Nielsen, Berlin, Germany
Listening, with Anne de Vries, Michael Thibault, Los Angeles, USA
Her Curves, High Art, Paris, France
Body of Work, Galerie Fons Welters, Amsterdam, Netherlands
What Enters,1646, Den Haag, Netherlands
Positive thinking: Actions speak louder then words, The Vanity, Los Angeles, USA


Olga Balema, Aria Dean, Raque Ford, Helen Marten, Kelley Walker, Greene Naftali, New York, USA
A House is not a Home, Kunsthalle Fribourg, Switzerland
Ausstellung der Jahresgaben 2019, Kölnischer Kunstverein, Cologne, Germany
You: Works from the Lafayette Anticipations Collection, Musée d’Art moderne de Paris, Paris, France
Whitney Biennial, Whitney Museum of American Art, New York, USA
Maskulinitäten, Kölnischer Kunstverein, Cologne, Germany
Deeper Than Inside, High Art, Paris, France
Paulo Cunha e Silva Art Prize, Galeria Municipal do Porto, Porto, Portugal
Olga Balema, Andy Robert, Hannah Hoffmann Gallery @ Debeaulieu, Paris, France
Nothing is Permanent, Manifesta In House Exhibition, Amsterdam, Netherlands
Oh that I had a thousand tongues, Cultural Foundation of Tinos, Greece
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der kunst, München, Germany
Converter, Kunstmuseum St. Gallen, St. Gallen, Switzerland
In Awe, Kunsthalle Exnergasse, Vienna, Austria
Ewig Weibliche, Koppe Astner, Glasgow, Scotland
Ungestalt, Kunsthalle Basel, Basel, Switzerland
Hours and Hours of Inactivity, n.b.k, Berlin
Olga Balema, Marie Mul, Iza Tarasewicz, Croy Nielsen, Berlin
Untitled 1989, Galerie Fons Welters, Amsterdam, Netherlands
Peach, W139, Amsterdam, Netherlands
I Want To Live in the Country (and Other Romances), Kunsthalle Bern, Switzerland
Adhesive Products, Bergen Kunsthall, Bergen, Switzerland
Wer nicht denken will, iegt raus Handlungsanweisungen nach Beuys, Museum Kurhaus Kleve / Ewald Mataré Sammlung, Kleve, Germany
Pastoral Myths, La Loge, Brussels, Belgium
Life Itself, Moderna Museet, Stockholm, Sweden
By the Bearer in whose Name it it Issued, Center for Style, Melbourne, Australia
Stranger than Paradise, Sies + Höke, Düsseldorf, Germany
Affinities #2, Galerie Fons Welters, Amsterdam, Netherlands
Campana I, Luis Campana, Berlin, Germany
Where The Awning Flaps, Éric Hussenot, Paris, France
Function Follows Vision, Vision Follows Reality, Kunsthalle Wien, Vienna, France
Towers of Dub (Live Orbient 3.9.93), Thomas Duncan Gallery, Los Angeles, USA
Surround Audience, New Museum, New York, USA
City, William Arnold, New York, USA
Musique Concrète, Michael Thibault, Los Angeles, USA
Doom: Surface Contrôle, Le Magasin, Grenoble, France
Puddle, pothole, portal, Sculpture Center, New York, USA
Dylan’s lost it – may be, Galerie CroyNielsen, Berlin, Germany
Union, Union Pacific Gallery, London, England
From whose ground heaven and hell compare, Galerie Croy Nielsen, Berlin, Germany
Nature after Nature, Fridericianum, Kassel, Germany
Sweet Potato, Shoot the Lobster, Luxembourg