OLGA BALEMA / HIGH ART

brain damage, 2019, Bridget Donahue, New York, USA, installation view

13, 2019
Elastic band, paint, glue, nails, staples
17,78 x 767,08 x 132,08 cm / 6 3/4 x 302 x 52 in

brain damage, 2019, Bridget Donahue, New York, USA, installation view

11, 2019
Elastic band, paint, glue, nails, staples
95,25 x 114,3 x 100,33 cm / 37 1/2 x 44 7/8 x 39 3/8 in

Whitney Biennial, 2019, Whitney Museum of American Art, New York, USA, installation view

Bread for Life, 2016
Tulle, latex and steel
10,2 x 55,9 x 48,3 cm / 4 x 22 1/8 x 18 7/8 in

Whitney Biennial, 2019, Whitney Museum of American Art, New York, USA, installation view

Floor, 2019
Styrofoam, watercolor, tape, and acrylic
Variable dimensions

Give up the Ghost, 2018, Baltic Triennial, BTXIII, CAC, Vilnius, Lithuania, installation view

Failure is the mother of success, 2016
Map, latex, pigment, acrylic paint
135 x 170 x 5 cm / 53 1/8 x 66 7/8 x 2 in

Necessity is the mother of all invention, 2016
Map, latex, pigment, acrylic paint
135 x 160 x 12 cm / 53 1/8 x 63 x 4 3/4 in

Ungestalt, 2017, Kunsthalle Basel, Switzerland, installation view

Become a stranger to yourself, 2017
Fabric, latex, photographs, silicone, soft pvc, steel, water
7,6 x 139,7 x 76,2 cm / 3 1/8 x 55 1/8 x 29 7/8 in

None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, France, installation view

Untitled, 2017
Vinyl, foam, wood, steel
189 x 63 cm / 74 3/8 x 24 3/4 in

None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, France, installation view

Untitled, 2017
Vinyl, foam, wood, steel
128 x 62 cm / 50 3/8 x 24 3/8 in

None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, France, installation view

Untitled, 2017
Soft PVC, video projector, speakers, vinyl, foam, wood, HD video with sound 3'38'', looped
45 x 124 x 20 cm / 17 3/4 x 48 7/8 x 7 7/8 in

On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, USA, installation view

Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, USA, installation view

Notes From the Capital, 2016
Latex, steel, wool fabric, pigment
94 x 48,3 x 198 cm / 37 1/8 x 18 7/8 x 78 in

A thin skin under which a gigantic cauldron of blazing fire was blazing, 2016
Latex, Magic Sculpt
12,7 x 22,9 x 35,6 cm / 5 1/8 x 9 1/8 x 14 1/8 in

On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, USA, installation view

Early Man, 2016, Swiss Institute, New York, USA, installation view

Motherfucker, 2016
Map, latex, pigment, acrylic paint
73 x 110 x 12 cm / 28 3/4 x 43 1/4 x 4 3/4 in

Motherfucker, 2016 (detail)
Map, latex, pigment, acrylic paint
73 x 110 x 12 cm / 28 3/4 x 43 1/4 x 4 3/4 in

Early Man, 2016, Swiss Institute, New York, USA, installation view

Our american spread of western civilization, 2016 (detail)
Map, latex, pigment
220 x 110 cm / 86 5/8 x 43 1/4 in

Globe, 2016
Globe, latex, pigment
96,5 x 61 x 51 cm / 38 1/4 x 24 1/8 x 20 1/8 in

One reenters the garden by becoming a vegetable, 2015, Kunstverein Nürnberg, Germany, installation view

Analysis Penetrates the Surface, 2015
Feeding trough, paint
36 x 154 x 18 cm / 14 1/8 x 60 5/8 x 7 1/8 in

Fresh Hell, 2015
Feeding trough, paint
24 x 170 x 16 cm / 9 1/2 x 66 7/8 x 6 1/4 in

Cult Cultivates, 2015
Feeding trough, paint
24 x 170 x 16 cm / 9 1/2 x 66 7/8 x 6 1/4 in

Cannibals, 2015, Croy Neilsen, Berlin, Germany, installation view

Threat to Civilization 2, 2015
Soft pvc, steel, water
47 x 99 x 94 cm / 18 1/2 x 39 x 37 1/8 in

Threat to Civilization 6, 2015
Soft pvc, steel, water
40 x 73 x 107 cm / 15 3/4 x 28 3/4 x 42 1/8 in

Cannibals, 2015, Croy Neilsen, Berlin, Germany, installation view

Threat to Civilization 1, 2015
Soft pvc, steel, water
30 x 82 x 180 cm / 11 3/4 x 32 1/4 x 70 7/8 in

The New Museum: Surround Audience, 2014, New Museum, New York, USA, installation view

Puddle, pothole, portal, 2014, Sculpture Center, New York, USA, installation view

Interior Biomorphic, Attachment, 2014
Steel, foam, pigmented latex
61 x 260,8 x 30,5 cm / 24 1/8 x 102 3/4 x 12 1/4 in

Nature after Nature, 2014, Fridericianum, Kassel, Germany, installation view

Her Curves, 2014, High Art, Paris, France, installation view

Interior Biomorphic Attachment (Looking at a Tree), 2014
Steel, foam, pigment latex
Approx. 195 x 60 x 40 cm / 76 3/4 x 23 5/8 x 15 3/4 in

Interior Biomorphic Attachment (Looking at a Tree), 2014 (detail)
Steel, foam, pigmented latex
Approx. 195 x 60 x 40 cm / 76 3/4 x 23 5/8 x 15 3/4 in

Warm Bodies, 2014, Kunstvereniging, Diepenheim, the Netherlands, installation view

Untitled, 2013
Fabric, plastic tub, pump, steel, water
150 x 80 x 50 cm / 59 1/8 x 31 1/2 x 19 3/4 in

Untitled, 2013 (detail)
Fabric, plastic tub, pump, steel, water
150 x 80 x 50 cm / 59 1/8 x 31 1/2 x 19 3/4 in

Untitled, 2013
Fabric, plastic tube, pump, steel, water
170 x 80 x 50 cm / 66 7/8 x 31 1/2 x 19 3/4 in

Untitled, 2013 (detail)
Fabric, plastic tube, pump, steel, water
170 x 80 x 50 cm / 66 7/8 x 31 1/2 x 19 3/4 in

Urschleim, 2013, Fauna Copenhagen, Denmark, installation view

What Enters, 2013, 1646, The Hague, the Netherlands, installation view

Alchemy, 2013
Plastic waste bin, steel, hoses, water pump, printed textile
55 x Ø 56 cm/ 21 5/8 x Ø 22 1/8 in

Subscribing Is Better, 2013
Plastic box, steel, water pump, textile
74 x 64 x 60 cm / 29 1/8 x 25 1/4 x 23 5/8 in

How it feels I and II, 2013
Plastic box, steel, hose, water pump, textile
101 x 47 x 80 cm / 39 3/4 x 18 1/2 x 31 1/2 in