brain damage, 2019, Bridget Donahue, New York, installation view
13, 2019
Elastic band, paint, glue, nails, staples
17.78 × 767.08 × 132.08 cm / 7 × 302 × 52 in
brain damage, 2019, Bridget Donahue, New York, installation view
11, 2019
Elastic band, paint, glue, nails, staples
95.25 × 114.30 × 100.33 cm / 37.5 × 45 × 39.5 in
Whitney Biennial 2019, Whitney Museum of American Art, New York, installation view
Bread for Life, 2016
Tulle, latex, and steel
109.2 x 55.9 x 48.3 cm / 43 x 22 x 19 in
Whitney Biennial 2019, Whitney Museum of American Art, New York, installation view
Floor, 2019
Styrofoam, watercolor, tape, and acrylic
variable dimensions
Give up the Ghost, 2018, Baltic Triennial, BTXIII, CAC, Vilnius, installation view
Failure is the mother of success, 2016
Map, latex, pigment, acrylic paint
135 × 170 × 5 cm / 53.1 × 66.9 × 2 in
Necessity is the mother of all invention, 2016
Map, latex, pigment, acrylic paint
135 × 160 × 12 cm / 53.1 × 63 × 4.7 in
Ungestalt, 2017, Kunsthalle Basel, installation view
Ungestalt, 2017, Kunsthalle Basel, installation view
Become a stranger to yourself, 2017
Fabric, latex, photographs, silicone, soft pvc, steel, water
7,6 × 139,7 × 76,2 cm / 3 x 55 x 30 in
None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, installation view
Untitled, 2017
Vinyl, foam, wood, steel
189 x 63 cm / 74.4 x 24.8 in
None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, installation view
None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, installation view
Untitled, 2017
Vinyl, foam, wood, steel
128 x 62 cm / 50.4 x 24.4 in
None of the beauty of the landscape can reach her pupils anymore, 2017, High Art, Paris, installation view
Untitled, 2017
Soft PVC, video projector, speakers, vinyl, foam, wood, HD video with sound (3:38)
45 x 124 x 20 cm / 17.7 x 48.8 x 7.8 in
On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, installation view
On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, installation view
On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, installation view
Notes From the Capital, 2016
Latex, steel, wool fabric, pigment
94 × 48,3 × 198 cm / 37 x 19 x 78 in
A thin skin under which a gigantic cauldron of blazing fire was blazing, 2016
Latex, Magic Sculpt
12,7 x 22,9 x 35,6 cm / 5 x 9 x 14 in
On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, installation view
On The Brink Of My Sexy Apocalypse, 2017, Hannah Hoffman, Los Angeles, installation view
Early Man, 2016, Swiss Institute, New York, installation view
Motherfucker, 2016
Map, latex, pigment, acrylic paint
73 × 110 × 12 cm / 28.7 x 43.3 x 4.7 in
Motherfucker (detail), 2016
Map, latex, pigment, acrylic paint
73 × 110 × 12 cm / 28.7 x 43.3 x 4.7 in
Early Man, 2016, Swiss Institute, New York, installation view
Our american spread of western civilization (detail), 2016
Map, latex, pigment
220 × 110 cm / 86.6 x 43.3 in
Globe, 2016
Globe, latex, pigment
96,5 × 61 × 51 cm / 38 x 24 x 20 in
One reenters the garden by becoming a vegetable, 2015, Kunstverein Nürnberg, Nürnberg, installation view
Analysis Penetrates the Surface, 2015
Feeding trough, paint
36 x 154 x 18 cm / 14.1 x 60.6 x 7 in
Fresh Hell, 2015
Feeding trough, paint
24 x 170 x 16 cm / 9.4 x 66.9 x 6.2 in
Cult Cultivates, 2015
Feeding trough, paint
24 x 170 x 16 cm / 9.4 x 66.9 x 6.2 in
Cannibals, 2015, Croy Neilsen, Berlin, installation view
Threat to Civilization 2, 2015
Soft pvc, steel, water
47 × 99 × 94 cm / 18.5 x 40 x 37 in
Threat to Civilization 6, 2015
Soft pvc, steel, water
40 × 73 × 107 cm / 15.7 x 28.7 x 42.1 in
Cannibals, 2015, Croy Neilsen, Berlin, installation view
Cannibals, 2015, Croy Neilsen, Berlin, installation view
Threat to Civilization 1, 2015
Soft pvc, steel, water
30 × 82 × 180 cm / 11.8 x 32.2 x 70.8 in
Surround Audience, 2014, Triennial, New Museum, New York, installation view
Puddle, pothole, portal, 2014, Sculpture Center, New York, installation view
Puddle, pothole, portal, 2014, Sculpture Center, New York, installation view
Interior Biomorphic Attachment , 2014
Steel, foam, pigmented latex
61 x 260,8 x 30,5 cm / 24 x 102.6 x 12 in
Nature After Nature, 2014, Fridericianum, Kassel, installation view
Nature After Nature, 2014, Fridericianum, Kassel, installation view
Her Curves, 2014, High Art, Paris, installation view
Her Curves, 2014, High Art, Paris, installation view
Interior Biomorphic Attachment (Looking at a Tree), 2014
Steel, foam, pigmented latex
Approx. 195 × 60 × 40 cm / 76.7 x 23.6 x 15.7 in
Interior Biomorphic Attachment (Looking at a Tree) (detail), 2014
Steel, foam, pigmented latex
Approx. 195 × 60 × 40 cm / 76.7 x 23.6 x 15.7 in
Warm Bodies, 2014, Kunstvereniging, Diepenheim, installation view
Untitled, 2013
Fabric, plastic tub, pump, steel, water
150 x 80 x 50 cm / 59 x 31.4 x 19.6 in
Untitled (detail), 2013
Fabric, plastic tub, pump, steel, water
150 x 80 x 50 cm / 59 x 31.4 x 19.6 in
Untitled, 2013
Fabric, plastic tube, pump, steel, water
170 x 80 x 50 cm / 66.8 x 31.5 x 19.2 in
Untitled (detail), 2013
Fabric, plastic tube, pump, steel, water
170 x 80 x 50 cm / 66.8 x 31.5 x 19.2 in
Urschleim, Fauna Copenhagen, 2013, installation view
Urschleim, Fauna Copenhagen, 2013, installation view
What Enters, 2013, 1646, The Hague, installation view
Alchemy, 2013
Plastic waste bin, steel, hoses, water pump, printed textile
55 x Ø 56 cm / 21.6 x Ø 22 in
Subscribing Is Better, 2013
Plastic box, steel, water pump, textile
74 x 64 x 60 cm / 29.1 x 25.1 x 23.6 in
How it feels I and II, 2013
Plastic box, steel, hose, water pump, textile
101 x 47 x 80 cm / 39/7 x 18/5 x 31/4 in